"Signatuur" on Signe Kivi isikunäitus, mis koondab valiku tekstiilikunstniku käsitrükitehnikas valminud ekspressiivsetest autorikangastest.

Signe Kivi. Signature - Eesti Tarbekunsti- ja Disainimuuseum

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Signe Kivi. Signature

Eesti Tarbekunsti- ja Disainimuuseum

"Signatuur" on Signe Kivi isikun&auml;itus, mis koondab valiku tekstiilikunstniku k&auml;sitr&uuml;kitehnikas valminud ekspressiivsetest autorikangastest.

&quot;Signatuur&quot; on Signe Kivi isikunäitus, mis koondab valiku tekstiilikunstniku käsitrükitehnikas valminud ekspressiivsetest autorikangastest.

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“Selected Interventions” is a collection of new works and dialogues within the museum’s permanent exhibitions by the students of Craft Studies of the Estonian Academy of Arts. The Craft Studies curriculum expands on understanding contemporary crafts and advances professional development, critical expression, and artistic research into materials, processes, concepts and identities. Therefore, it is a [&hellip;]

Selected Interventions - Eesti Tarbekunsti- ja Disainimuuseum

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Selected Interventions

“Selected Interventions” is a collection of new works and dialogues within the museum’s permanent exhibitions by the students of Craft Studies of the Estonian Academy of Arts. The Craft Studies curriculum expands on understanding contemporary crafts and advances professional development, critical expression, and artistic research into materials, processes, concepts and identities. Therefore, it is a […]

https://admin.etdm.ee/en/naitus/selected-interventions/

Urmas Orgusaar (1944) has been active in Estonian leather and bookbinding since the late 1960s. In 1969 he graduated from the State Art Institute of ESSR and has been exhibiting since then. Today, the museum&#8217;s collection includes nearly 50 of his works, many of which are also on display in the permanent exhibition of applied [&hellip;]

Urmas Orgusaar. Works from 1970s - Eesti Tarbekunsti- ja Disainimuuseum

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Urmas Orgusaar. Works from 1970s

Urmas Orgusaar (1944) has been active in Estonian leather and bookbinding since the late 1960s. In 1969 he graduated from the State Art Institute of ESSR and has been exhibiting since then. Today, the museum’s collection includes nearly 50 of his works, many of which are also on display in the permanent exhibition of applied […]

https://admin.etdm.ee/en/naitus/urmas-orgusaar-works-from-1970s/

The exhibition “Joint Double” by Jüri Kermik engages with the dynamics of the design process and its involvement in looking forward and looking back.

Jüri Kermik. Joint Double - Eesti Tarbekunsti- ja Disainimuuseum

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Jüri Kermik. Joint Double

The exhibition &ldquo;Joint Double&rdquo; by J&uuml;ri Kermik engages with the dynamics of the design process and its involvement in looking forward and looking back.

J&uuml;ri Kermik. Joint Double - Eesti Tarbekunsti- ja Disainimuuseum

J&uuml;ri Kermik. Joint Double

https://admin.etdm.ee/en/naitus/juri-kermik-double-joint/

From 31 May, ETDM will host metal and jewellery artist Leida Ilo’s solo exhibition “Head in the Clouds, Feet on the Ground”. The exhibition reveals the many facets of Ilo’s unique creations through a selection of her work from over five decades. Over a long and distinguished career, Ilo (b. 1943) has created designs and [&hellip;]

Leida Ilo. Head in the Clouds, Feet on the Ground - Eesti Tarbekunsti- ja Disainimuuseum

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Leida Ilo. Head in the Clouds, Feet on the Ground

From 31 May, ETDM will host metal and jewellery artist Leida Ilo’s solo exhibition “Head in the Clouds, Feet on the Ground”. The exhibition reveals the many facets of Ilo’s unique creations through a selection of her work from over five decades. Over a long and distinguished career, Ilo (b. 1943) has created designs and […]

https://admin.etdm.ee/en/naitus/leida-ilo-head-in-the-clouds-feet-on-the-ground/

Over a century of Estonian song celebrations includes twenty-seven song celebrations. The connection between the song celebrations and design can be portrayed through smaller items, such as costumes, flags, pendants, mascots, etc. However, the wider audience has been most exposed to the emblems whose familiar designs we recognise in printed material as well as in [&hellip;]

Estonian Song Celebrations 1869–2019. Commented emblem designs - Eesti Tarbekunsti- ja Disainimuuseum

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Estonian Song Celebrations 1869–2019. Commented emblem designs

Estonian Song Celebrations 1869&ndash;2019. Commented emblem designs - Eesti Tarbekunsti- ja Disainimuuseum

Estonian Song Celebrations 1869&ndash;2019. Commented emblem designs

Over a century of Estonian song celebrations includes twenty-seven song celebrations. The connection between the song celebrations and design can be portrayed through smaller items, such as costumes, flags, pendants, mascots, etc. However, the wider audience has been most exposed to the emblems whose familiar designs we recognise in printed material as well as in […]

https://admin.etdm.ee/en/naitus/estonian-song-celebrations-1869-2019-commented-emblem-designs/

The museum opens the 2019 exhibition programme with the exhibition “Objects of Attention”, curated by Estonian based anthropologist Francisco Martínez. In this exhibition, ordinary things are revised into objects of attention. Ten artists have been invited to reflect on the capacity of artefacts to spark political concern and raise awareness of actual social challenges. Through [&hellip;]

Objects of Attention - Eesti Tarbekunsti- ja Disainimuuseum

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Objects of Attention

The museum opens the 2019 exhibition programme with the exhibition “Objects of Attention”, curated by Estonian based anthropologist Francisco Martínez. In this exhibition, ordinary things are revised into objects of attention. Ten artists have been invited to reflect on the capacity of artefacts to spark political concern and raise awareness of actual social challenges. Through […]

https://admin.etdm.ee/en/naitus/objects-of-attention/

The focus of this exhibition is on variations of ornament in Baltic design. Exhibits range from jewellery to ceramics. While at first glance modernism may associate with pure colours and lines, the complete design history is significantly more varied and nuanced. In different regional narratives one may find variations of modernism that may diverge from [&hellip;]

Ornament and Baltic Modern Design 1955-1985 - Eesti Tarbekunsti- ja Disainimuuseum

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Ornament and Baltic Modern Design 1955-1985

The focus of this exhibition is on variations of ornament in Baltic design. Exhibits range from jewellery to ceramics. While at first glance modernism may associate with pure colours and lines, the complete design history is significantly more varied and nuanced. In different regional narratives one may find variations of modernism that may diverge from […]

https://admin.etdm.ee/en/naitus/ornament-and-baltic-modern-design-1955-1985/

The Estonian Museum of Applied Art and Design invited 7th-9th grade students to participate in the design competition ”Mind the Environment – My Ingenious Solution” in an effort to raise local design awareness. The aim was to inspire young people to be more observant of their surroundings, whether at home, at school or nearby, and [&hellip;]

Mind the Environment – My Ingenious Solution - Eesti Tarbekunsti- ja Disainimuuseum

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Mind the Environment – My Ingenious Solution

Mind the Environment &ndash; My Ingenious Solution - Eesti Tarbekunsti- ja Disainimuuseum

Mind the Environment &ndash; My Ingenious Solution

The Estonian Museum of Applied Art and Design invited 7th-9th grade students to participate in the design competition ”Mind the Environment – My Ingenious Solution” in an effort to raise local design awareness. The aim was to inspire young people to be more observant of their surroundings, whether at home, at school or nearby, and […]

https://admin.etdm.ee/en/naitus/mind-the-environment-my-ingenious-solution/

“Estonian Design Awards 2012–2022: A Retrospective” brings together award-winning design projects, designers, professional associations, clients and many others who have been featured and recognised over the history of the Estonian Design Awards. The competition, held every other year for a decade, is constantly changing, reflecting the activities and organisation of associations and parties such as [&hellip;]

Estonian Design Awards 2012—2022: A Retrospective - Eesti Tarbekunsti- ja Disainimuuseum

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Estonian Design Awards 2012—2022: A Retrospective

Estonian Design Awards 2012&mdash;2022: A Retrospective - Eesti Tarbekunsti- ja Disainimuuseum

Estonian Design Awards 2012&mdash;2022: A Retrospective

“Estonian Design Awards 2012–2022: A Retrospective” brings together award-winning design projects, designers, professional associations, clients and many others who have been featured and recognised over the history of the Estonian Design Awards. The competition, held every other year for a decade, is constantly changing, reflecting the activities and organisation of associations and parties such as […]

https://admin.etdm.ee/en/naitus/estonian-design-awards-2012-2022-a-retrospective/

The exhibition “Suuremjault mälëstustes“ (Mostly in Memories) is a solo showcase by Maryliis Teinfeldt-Grins, where the poetic imagery from her debut poetry collection released last summer, “Kivi alla kükakille” (Crouching Under a Stone), meet with stories of longing expressed through embroidery. The exhibition is rooted in the concept of loss. It originates from something that [&hellip;]

Maryliis Teinfeldt-Grins. Mostly in Memories - Eesti Tarbekunsti- ja Disainimuuseum

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Maryliis Teinfeldt-Grins. Mostly in Memories

The exhibition “Suuremjault mälëstustes“ (Mostly in Memories) is a solo showcase by Maryliis Teinfeldt-Grins, where the poetic imagery from her debut poetry collection released last summer, “Kivi alla kükakille” (Crouching Under a Stone), meet with stories of longing expressed through embroidery. The exhibition is rooted in the concept of loss. It originates from something that […]

https://admin.etdm.ee/en/naitus/maryliis-teinfeldt-grins-mostly-in-memories/

Maie-Ann Raun has been involved with glass throughout her life in an exceptionally active way, teaching about the material and the field, keeping alive and reviving the history of the discipline, and cultivating understanding through her work. She is a glass artist, a long-time lecturer, professor emeritus at the Estonian Academy of Arts and an [&hellip;]

In the Light of Glass. Selection of works by Maie-Ann Raun at the permanent display - Eesti Tarbekunsti- ja Disainimuuseum

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In the Light of Glass. Selection of works by Maie-Ann Raun at the permanent display

Maie-Ann Raun has been involved with glass throughout her life in an exceptionally active way, teaching about the material and the field, keeping alive and reviving the history of the discipline, and cultivating understanding through her work. She is a glass artist, a long-time lecturer, professor emeritus at the Estonian Academy of Arts and an […]

https://admin.etdm.ee/en/naitus/in-the-light-of-glass-selection-of-works-by-maie-ann-raun-at-the-permanent-display/

“Rhythms and Spaces” explores the fascinating relationship between radical ideas and the everyday as they interact with sleeping spaces, environments, and time and timekeeping. The exhibition showcases the work of both foreign and Estonian designers who – through visions of the future to approaches dating back over a century – explore the spaces and times that we dedicate to sleep.

Uneversum: Rhythms and Spaces - Eesti Tarbekunsti- ja Disainimuuseum

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Uneversum: Rhythms and Spaces

&ldquo;Rhythms and Spaces&rdquo; explores the fascinating relationship between radical ideas and the everyday as they interact with sleeping spaces, environments, and time and timekeeping. The exhibition showcases the work of both foreign and Estonian designers who &ndash; through visions of the future to approaches dating back over a century &ndash; explore the spaces and times that we dedicate to sleep.

https://admin.etdm.ee/en/naitus/uneversum-rythms-and-spaces/

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The project &#8220;Articulated Models&#8221; directs our attention through constant composing, visualizing and unpacking of new elements towards looking at how standards and design influence our everyday lives.&nbsp;In his work, Ott Metusala studies the living environment by highlighting how political ideas penetrate our private space through design processes.&nbsp; The publication compiled and designed by Ott Metusala [&hellip;]

Ott Metusala. Articulated Models - Eesti Tarbekunsti- ja Disainimuuseum

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Ott Metusala. Articulated Models

The project “Articulated Models” directs our attention through constant composing, visualizing and unpacking of new elements towards looking at how standards and design influence our everyday lives. In his work, Ott Metusala studies the living environment by highlighting how political ideas penetrate our private space through design processes.  The publication compiled and designed by Ott Metusala […]

https://admin.etdm.ee/en/naitus/ott-metusala-articulated-models/

Porcelain production in Riga has a long history. In 1963, two large companies from the 19th century, the nationalized successors of the Kuznetsov Porcelain Factory, founded in 1841, and the Jessen Porcelain Factory, founded in 1886, were first merged to form the Riga Porcelain and Faience Factory, which was later renamed the Riga Porcelain Factory. [&hellip;]

White and Painted. Riga Porcelain from 1950s–1960s - Eesti Tarbekunsti- ja Disainimuuseum

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White and Painted. Riga Porcelain from 1950s–1960s

White and Painted. Riga Porcelain from 1950s&ndash;1960s - Eesti Tarbekunsti- ja Disainimuuseum

White and Painted. Riga Porcelain from 1950s&ndash;1960s

Porcelain production in Riga has a long history. In 1963, two large companies from the 19th century, the nationalized successors of the Kuznetsov Porcelain Factory, founded in 1841, and the Jessen Porcelain Factory, founded in 1886, were first merged to form the Riga Porcelain and Faience Factory, which was later renamed the Riga Porcelain Factory. […]

https://admin.etdm.ee/en/naitus/white-and-painted-riga-porcelain-from-1950s-1960s/

But the temptation was so great that she could not overcome it. Bluebeard by Charles Perrault The exhibition “Bluebeard” presents the first ever display of masks created by Tanel Veenre, a jewellery artist and versatile designer, over the course of the past decade. In the artist’s diverse work, theatrical and ritual face jewellery and coverings [&hellip;]

Tanel Veenre. Bluebeard - Eesti Tarbekunsti- ja Disainimuuseum

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Tanel Veenre. Bluebeard

But the temptation was so great that she could not overcome it. Bluebeard by Charles Perrault The exhibition “Bluebeard” presents the first ever display of masks created by Tanel Veenre, a jewellery artist and versatile designer, over the course of the past decade. In the artist’s diverse work, theatrical and ritual face jewellery and coverings […]

https://admin.etdm.ee/en/naitus/tanel-veenre-bluebeard/

Tallinn Jewellery Factory has an important role in the history of Estonian design. During the Soviet era, its austere and romantic style of tableware, cutlery and jewellery defined the look of local everyday life for decades. Tallinn Jewellery Factory was founded in 1959 and has had several names over its lifetime. During the longest period, [&hellip;]

Local Beauty: Tallinn Jewellery Factory - Eesti Tarbekunsti- ja Disainimuuseum

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Local Beauty: Tallinn Jewellery Factory

Tallinn Jewellery Factory has an important role in the history of Estonian design. During the Soviet era, its austere and romantic style of tableware, cutlery and jewellery defined the look of local everyday life for decades. Tallinn Jewellery Factory was founded in 1959 and has had several names over its lifetime. During the longest period, […]

https://admin.etdm.ee/en/naitus/local-beauty-tallinn-jewellery-factory/

Naturally, It Is Not looks at nature not only as an environment external to the body, a place we can take our bodies to but also understands the body as a (natural) site. But rather than thinking of nature, and by extension human nature, as unchanging, something we could go back to, here, both the [&hellip;]

Naturally, It Is Not - Eesti Tarbekunsti- ja Disainimuuseum

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Naturally, It Is Not

Naturally, It Is Not looks at nature not only as an environment external to the body, a place we can take our bodies to but also understands the body as a (natural) site. But rather than thinking of nature, and by extension human nature, as unchanging, something we could go back to, here, both the […]

https://admin.etdm.ee/en/naitus/naturally-it-is-not/

From 14 April, the Estonian Museum of Applied Art and Design’s (ETDM) permanent exhibition Introduction to Estonian Design will be featuring the installation project Do You Have This at Home? by students of the Estonian Academy of Arts (EKA). The idea for the project stems from the moments of nostalgic recognition among exhibition visitors, who [&hellip;]

Installation “Do You Have This at Home?” - Eesti Tarbekunsti- ja Disainimuuseum

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Installation “Do You Have This at Home?”

Installation &ldquo;Do You Have This at Home?&rdquo; - Eesti Tarbekunsti- ja Disainimuuseum

Installation &ldquo;Do You Have This at Home?&rdquo;

From 14 April, the Estonian Museum of Applied Art and Design’s (ETDM) permanent exhibition Introduction to Estonian Design will be featuring the installation project Do You Have This at Home? by students of the Estonian Academy of Arts (EKA). The idea for the project stems from the moments of nostalgic recognition among exhibition visitors, who […]

https://admin.etdm.ee/en/naitus/etdms-new-installation-do-you-have-this-at-home-introduces-design-icons-found-in-estonian-homes/

As a designer, Raili Keiv has always been interested in the points of contact between industry and ceramics. Her practice so far can be seen as a series of sensitive interventions in which the ordinary has taken on a new meaning. In this exhibition, she has directed her focus towards everyday objects so ordinary as [&hellip;]

Room. Raili Keiv - Eesti Tarbekunsti- ja Disainimuuseum

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Room. Raili Keiv

As a designer, Raili Keiv has always been interested in the points of contact between industry and ceramics. Her practice so far can be seen as a series of sensitive interventions in which the ordinary has taken on a new meaning. In this exhibition, she has directed her focus towards everyday objects so ordinary as […]

https://admin.etdm.ee/en/naitus/room-raili-keiv/

Artist Jaanus Samma has long been interested in how the idea of nationalism is constructed. In this exhibition, he draws on materials from his personal collection and the vaults of Estonian museums to create 12 thematic compositions in which he examines the use of national patterns and motifs in Estonian applied art and prints from [&hellip;]

Still Lifes on National Motifs. Jaanus Samma - Eesti Tarbekunsti- ja Disainimuuseum

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Still Lifes on National Motifs. Jaanus Samma

Artist Jaanus Samma has long been interested in how the idea of nationalism is constructed. In this exhibition, he draws on materials from his personal collection and the vaults of Estonian museums to create 12 thematic compositions in which he examines the use of national patterns and motifs in Estonian applied art and prints from […]

https://admin.etdm.ee/en/naitus/still-lifes-on-national-motifs/

https://admin.etdm.ee/wp-content/uploads/2022/10/Vaikelude-FB-1024x536.png

Graphic design surrounds us everywhere these days and everyone can be a graphic designer. Taking and editing photographs, choosing fonts and colours, making collages, designing and printing – pursuits that were exclusive before the digital revolution, requiring time, special skills and collective effort – are now routine procedures for every computer user. Yet, only a [&hellip;]

A Book Designer’s Studio. Jüri Kaarma and Late Soviet Graphic Design - Eesti Tarbekunsti- ja Disainimuuseum

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A Book Designer’s Studio. Jüri Kaarma and Late Soviet Graphic Design

A Book Designer&rsquo;s Studio. J&uuml;ri Kaarma and Late Soviet Graphic Design - Eesti Tarbekunsti- ja Disainimuuseum

A Book Designer&rsquo;s Studio. J&uuml;ri Kaarma and Late Soviet Graphic Design

Graphic design surrounds us everywhere these days and everyone can be a graphic designer. Taking and editing photographs, choosing fonts and colours, making collages, designing and printing – pursuits that were exclusive before the digital revolution, requiring time, special skills and collective effort – are now routine procedures for every computer user. Yet, only a […]

https://admin.etdm.ee/en/naitus/a-book-designers-studio-juri-kaarma-and-late-soviet-graphic-design/

Design is a discipline located at the junction of art, craf tand industry. From this vantage point, over time, design has mirrored cultural, societal and economic change. Women’s influence and contributions to these transformations have been growing. They play roles of active protagonists, independent players and thinkers, rather than muses and supporters. Over the last [&hellip;]

Looking Through Objects. Women in Contemporary Polish Design. Accompanying exhibition: Women in Contemporary Estonian Design - Eesti Tarbekunsti- ja Disainimuuseum

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Looking Through Objects. Women in Contemporary Polish Design. Accompanying exhibition: Women in Contemporary Estonian Design

Design is a discipline located at the junction of art, craf tand industry. From this vantage point, over time, design has mirrored cultural, societal and economic change. Women’s influence and contributions to these transformations have been growing. They play roles of active protagonists, independent players and thinkers, rather than muses and supporters. Over the last […]

https://admin.etdm.ee/en/naitus/women-in-contemporary-polish-design/

Mare Kelpman is a well-known Estonian designer who is a mainstay of the local design landscape and everyday environment due to her textiles, the strength of which is expressed primarily in her skilful combination of patterns and colours. The basic creative techniques she still implements today and for which she is best known, mainly utilise [&hellip;]

Mare Kelpman. Colour Code - Eesti Tarbekunsti- ja Disainimuuseum

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Mare Kelpman. Colour Code

Mare Kelpman is a well-known Estonian designer who is a mainstay of the local design landscape and everyday environment due to her textiles, the strength of which is expressed primarily in her skilful combination of patterns and colours. The basic creative techniques she still implements today and for which she is best known, mainly utilise […]

https://admin.etdm.ee/en/naitus/mare-kelpman-colour-code/

The creative collaboration of the two artists is just like the simultaneous movement of two tectonic plates or land masses. At the same time unnoticeable and powerful. Guided by different experiences and perceptions. Instead of the miniature forms expected of jewellery artists, the scales are larger this time.&nbsp; The bigger picture is created by an [&hellip;]

Piret Hirv and Eve Margus. Drift - Eesti Tarbekunsti- ja Disainimuuseum

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Piret Hirv and Eve Margus. Drift

The creative collaboration of the two artists is just like the simultaneous movement of two tectonic plates or land masses. At the same time unnoticeable and powerful. Guided by different experiences and perceptions. Instead of the miniature forms expected of jewellery artists, the scales are larger this time.  The bigger picture is created by an […]

https://admin.etdm.ee/en/naitus/eve-margus-and-piret-hirv-drift/

Knotted long-piled carpets or rya rugs are an integral part of Nordic identity. As an artistic expression, rya became known in Estonia in the 1930s, and in the second half of the 1950s it became one of the most favoured and most modern textile techniques there had been for some time. This exhibition features the [&hellip;]

Focus. Rya rugs - Eesti Tarbekunsti- ja Disainimuuseum

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Focus. Rya rugs

Knotted long-piled carpets or rya rugs are an integral part of Nordic identity. As an artistic expression, rya became known in Estonia in the 1930s, and in the second half of the 1950s it became one of the most favoured and most modern textile techniques there had been for some time. This exhibition features the […]

https://admin.etdm.ee/en/naitus/focus-rya-rugs/

The exhibition looks at a decade when the poverty, commodity capitalism, and glamour-hatred of the post-Soviet 1990s were fading, and neoliberal values had not yet made their mark on the art world. Estonian fashion designers were not guided by focus group studies and global trends but by their perception of the world and the need [&hellip;]

Naught Mood. Estonian fashion avant-garde 2000–2010 - Eesti Tarbekunsti- ja Disainimuuseum

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Naught Mood. Estonian fashion avant-garde 2000–2010

Naught Mood. Estonian fashion avant-garde 2000&ndash;2010 - Eesti Tarbekunsti- ja Disainimuuseum

Naught Mood. Estonian fashion avant-garde 2000&ndash;2010

The exhibition looks at a decade when the poverty, commodity capitalism, and glamour-hatred of the post-Soviet 1990s were fading, and neoliberal values had not yet made their mark on the art world. Estonian fashion designers were not guided by focus group studies and global trends but by their perception of the world and the need […]

https://admin.etdm.ee/en/naitus/naught-mood-estonian-fashion-avant-garde-2000-2010/

Kristel Saan’s solo exhibition “Paradise Revisited” reflects Saan’s extensive practice as an artist and designer. In the installation, the natural and the man-made merge – where the past and the future, the familiar and the unknown intertwine into one. The title of the exhibition refers to reappearance and depiction, it refers to remembering. It is [&hellip;]

Paradise Revisited by Kristel Saan - Eesti Tarbekunsti- ja Disainimuuseum

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Paradise Revisited by Kristel Saan

Kristel Saan’s solo exhibition “Paradise Revisited” reflects Saan’s extensive practice as an artist and designer. In the installation, the natural and the man-made merge – where the past and the future, the familiar and the unknown intertwine into one. The title of the exhibition refers to reappearance and depiction, it refers to remembering. It is […]

https://admin.etdm.ee/en/naitus/paradise-revisited-by-kristel-saan/

Tarmo Luisk’s new exhibition is based on the contradictions of overconsumption, economic growth and the green revolution. Instead of coming out with manifesto, however, he speaks through objects characterised by simplicity, multifunctionality, emotion and independence. Luisk’s objects have an industrial touch and their modularity adheres to the principle of universal rationality, but at the same [&hellip;]

Tarmo Luisk. Less is Less - Eesti Tarbekunsti- ja Disainimuuseum

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Exhibitions

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